Lil Blessin is a chameleon, changing colors to adapt to any style of music dangled in front of him. His mother raised him on 1990s game-changers such as Missy Elliott, he says. So he has an eclectic taste for music compared to other 90s babies.
This is evident on his latest EP, #HappyBirthdayBlessin, which he dropped in October to celebrate his 23rd birthday. He flexes his 90s R&B sensitivities on the tape’s third track, “Late Valentine.” He then turns right around and switches up his flow on track No. 4, “Youseeit,” where his sliding in and out of random pockets of the beat somehow works for him despite feeling unpolished at times.
The tape ends abruptly with his final track, “Lil Big Tigga Freestyle,” where Lil Blessin illustrates the endless possibilities of his sound. However, our minds are left to wonder because the EP ends way too soon – or, at least, it feels that way since most of his songs are less than three minutes in length.
His fun personality and play on words in “Lil Big Tigga Freestyle” shines through, likening his ability to make something out of nothing to Big Tigger’s Rap City: Tha Basement. It’s a good coda that leaves listeners wanting more.
“I like all kinds of music. I used to live Out West and then living in the burbs, too,” Lil Blessin says. “I been around all types of music and all types of people, so I feel like I can make any kind of fucking song.”